G&P Review: Humanity Falls

The convict knows he is a convict, an outcast, and he knows his place vis-à-vis his superior officer; but no brands, no fetters will ever be able to make him forget that he is a human being. And since he really is a human being, it is necessary to treat him as one. Merciful heavens! Human treatment may even render human a man in whom the image of God has long ago grown tarnished. It is these ‘unfortunates’ that must be treated in the most human fashion. This is their salvation and their joy.

Fyodor Dostoevsky
The House of the Dead
1860

Humanity Falls
Ordaining the Apocalypse
The Path Less Traveled
It’s not often I’ll point you to a cover song as being indicative of a band’s progression, but the way New York grinding deathsters Humanity Falls tear through Discordance Axis’ “Pattern Blue” almost serves as a Rosetta Stone for the young band’s progress on their 2010 album Ordaining the Apocalypse.
On their demo, Humanity Falls were going through the gawky, adolescent stage of their musical development. All their ideas (and they must swing by the local Costco and buy them in bulk) just didn’t quite cohere into actual songs. Those same demo tracks have returned with a vengeance on Ordaining the Apocalypse. They’ve cut the fat, bulked up the muscle and are in prime game shape, lead by a guttural death roar that erupts from the toes. Everything is leaner and tighter. There’s barely an extraneous moment on the whole 10 song package.
There are scintillating bursts of brilliance as with “Denounced Manifestation,” which hares away from a blasting opener to explore shimmering galaxies of spiraling supernovae (though it occasionally wanders too far afield for the song’s own good). Though many of the songs bring the ugly brutality of Circle of Dead Children, on the whole, Ordaining the Apocalypse has a definite entropic direction. The songs move from tightly snarled death/grind bursts to increasingly unmoored arrays of sparkling starbusts that shine and hover just above and outside the song itself. It’s a trick that works best on songs like the title track, which eventually circles back to something resembling traditional song structure coherence.
While Ordaining the Apocalypse displays a decent amount of growth for a young band that’s starting to find its own voice, the production, unfortunately, it still rather demo-ish. A more robust, layered sound would have showcased the various elements of their meticulous music to better effect. But an effort like this should prove Humanity Falls are worthy of a bigger budget when they record their follow up. While I have no doubt the Path Less Traveled put out a quality package for Ordaining the Apocalypse (seriously, go read label honcho Sean’s series over at Invisible Oranges), the band said they’re also just fine with you going ahead and downloading it. Maybe that will inspire you to send a couple bucks their way.
[Full disclosure: the band sent me a download for review.]

Demo-lition Derby: Humanity Falls

Humanity Falls
Promo 2009
New York/New Jersey death metal crew Humanity Falls have it 180 degrees wrong on their song “No Room for Ingenuity.” The band brings ingenuity by the bucketsful on two song demo Promo 2009, but for all their technical chops and fret wizardry, all that boundless drive just never seems to ground itself in anything resembling traditional song structure. “No Room for Ingenuity” is all beetling riffs and cacophonous fret slides over ADD drumming. But it feels like a string of unrelated musical passages that never cohere into a genuine listening experience until the awesomely insectile closing riff that’s memorable largely as a call-back to the skittering noise of Discordance Axis’ “Ruin Trajectory.”

Humanity Falls – “No Room for Ingenuity”

Second song “To Have or to Be” hews closer to something like a traditional song structure. Where “No Room for Ingenuity” never took the time to develop any of its myriad musical moments, “To Have or to Be” latches on to a single expression – like its central circular riff but rides it so hard and so long it loses all impact.
This breed of technical metal demands close scrutiny for the fullest appreciation of its legerdemain, but the demo’s rough production turns everything into a featureless blur, which also hampers the overall effect. Humanity Falls are clearly talented musicians, but they could benefit from an honest editor who is willing to trim the fat, letting the choicest moments of their tech-driven songs shine.