Three One G
We hold these truths to be self evident: all men are created equal but Discordance Axis has none.
And while The Inalienable Dreamless is an unfuckwithable milestone for grind (see top right) and should be a cultural touchstone anthropologists will reference in a more enlightened age, surprisingly, Discordance Axis are not one of those bands that led to wholesale cloning (though that may finally be changing).
That has probably contributed to the band’s singular stature, and Umea’s Asterisk* were certainly one of the first to nick Chang-san’s signature sound. These three Swedes were one of the few bands to take Discordance Axis’ shtickfor a spin through a graduate philosophy course, giving it a thoroughly postmodern sheen.
Rather than manga and sci fi novels, Asterisk* roared their sleek, slithering grind straight through the world’s weightiest questions, addressing animal rights, Shakespeare, religion and philosophy with a thoughtfulness that belied the band’s brevity.
Dogma, the band’s discography, brings the kind of tunes that would have seared themselves into Johnny Mneumonic’s permanent recollection. Scope the way “An Angel Collapsing’s” insectile skitter hearkens back to Rob Marton’s “Ruin Trajectory” string scrapes. Asterisk* also show they have no fear of blithely traversing grind’s well posted boundaries to dabble in Euro techno dance music on the brief but accurately titled “The Anomly.”
While their DA debt is also self evident, Asterisk* were the plucky clone that could, taking Jersey’s finest export’s signature sound and bending it to their own profound purposes; not so much wholesale copyright infringement as sincere homage.