“The motive for what the bands created and what Earache supported in the early days was pretty much just to inflict the maximum NOISE possible onto the general public,” Pearson said. “Maybe even cause the demise of all ‘normal’ music, that would have been a bonus. I had some lofty, crazy ideas back then, to be sure, and was very single-minded and obsessive about it, even with scant resources.“At no point was a recognised genre that would become highly popular envisioned. That was a laughable concept in 1986-8.
“People forget it was more or less avant-garde, highly experimental music during that explosive first couple of years. From Godflesh to Carcass, the motive was to warp minds.
“There were some ‘noisy’ atonal anarcho/HC punk bands around, even some extremely noisy indie acts...but Earache encouraged its bands to push the envelope way further into extreme metallised noise --and to hell with the consequences.
“Scum itself was described as ‘hyperspeed thrash’ by me on its release in 1987 (because thrash was the then-current most extreme form of metal).
“ ‘Grindcore’ first appeared as a genre description in September 1989 on the sticker on Earache’s Grindcrusher comp.”
1 comment:
This was great. its nice to have an interview with someone in a different (but very relevant) aspect of grind.
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