Showing posts with label terrorizer. Show all posts
Showing posts with label terrorizer. Show all posts

Monday, February 18, 2013

Grindcore Bracketology 3: Round Three

Not content with a deadlocked ending last week, you had to go and do it again. Good job, guys. This is why we can't have nice things. So for the second week in a row I was forced to employ my dictatorial powers to call the victor. Who did I just condemn to perdition? Read on.

THE GEEZERS

More Metal

Once again the more metal category gave you fits with Terrorizer's World Downfall and Brutal Truth's Need to Control knotted up at 10 a side. So by the power vested in me by the state of insanity, I'm advancing Terrorizer to the next round. Plus, I'm afraid Gamefaced would beat me up if they lost.

More Punk
Assuck (anti)capitalized on their opportunity to bump Brutal Truth out of the running, squeaking past Extreme Conditions Demand Extreme Responses by 11-9.

THE UPSTARTS

More Arty
Dephosphorus put out a beast of a record with Night Sky Transform, but who are we kidding? It's up against Prowler in the Yard. Pig Destroyer took a decisive 18-2 win.

More Farty
In the battle of Asia experience triumphed over youthful energy as 324 snuck past Wormrot by 11-9.

So that brings us to the end of the initial rounds and the updated brackets are available for your viewing pleasure here. Now it's time to get serious. It's time to decide who's the most metal, who's the artiest, who's the fartiest. Who will triumph in each category? As always, you have until Sunday and you can vote here or at the Facebook page.

THE GEEZERS
 
The Most Metal
1. Repulsion-Horrified v. 3. Terrorizer-World Downfall

The Punkiest
1. Napalm Death-Scum v. 5. Assuck-Anticapital

THE UPSTARTS

The Artiest
1. Discordance Axis-The Inalienable Dreamless v. 2. Pig Destroyer-Prowler in the Yard

The Fartiest
1. Insect Warfare-World Extermination v. 5. 324-Boutoku no Taiyo

Monday, February 11, 2013

Grindcore Bracketology 3: Round Two Part Two

Well this is a fine predicament you people left me in to start off round two. A tie. Who's all knotted up and how have I resolved it? Read on.

THE GEEZERS

More Metal
You guys split dead even at 12 apiece for Repulsion's Horrified and Assuck's Misery Index. So I will employ my dictatorial powers to call this one. As your benevolent(ish) dictator, I hand the victory to Horrified. Not only is it widely viewed as the first true grind record, but my decision was all the easier knowing that Assuck still live to fight another day with Anticapital still in contention.

More Punk
Though the early voting suggested we'd get a pretty stunning upset, Napalm Death and Scum gutted it out with a late surge to roar past Disrupt's Unrest by 17-6.

THE UPSTARTS

More Arty
No matter who loses, Jon Chang wins this one. You guys decided The Inalienable Dreamless is a better record than Amber Gray by a pretty comfortable 19-4 margin.

More Farty
Another no brainer, Insect Warfare's World Extermination declared war with Kill the Client's grindcore, squashing Cleptocracy by 20-3.

So that's the first half of round two. Before we move on, you can peruse the standings here. So let's get to the second half. As always, vote here or at the Facebook page. Once again, you've got until Sunday to make your thoughts know.

THE GEEZERS

More Metal

3. Terrorizer-World Downfall v. 4. Brutal Truth-Need to Control


More Punk
2. Brutal Truth-Extreme Conditions Demand Extreme Responses v. 5. Assuck-Anticapital


THE UPSTARTS

More Arty

2. Pig Destroyer-Prowler in the Yard v. 4. Dephosphorus-Night Sky Transform

More Farty
2. Wormrot-Abuse v. 5. 324-Boutoku no Taiyo

Monday, January 21, 2013

Grindcore Bracketology 3: The 3-6 Matchups

Round two brought us the first upset and it kinda surprises me. (In retrospect, maybe not so much.) Who got unceremoniously dumped? Let's get to the results.

THE GEEZERS

More Metal
Napalm Death's From Enslavement just got obliterated by Assuck's Misery Index. What many consider to the be the most influential grind albums in history got smoked 14-9.

More Punk
This one wasn't even close. Unseen Terror's Human Error mustered a single protest vote, losing to Brutal Truth's Extreme Conditions Demand Extreme Responses by 21-1.

THE UPSTARTS

More Arty
Even the mighty Nasum couldn't stand against Pig Destroyer as Prowler in the Yard trounced Helvete by 15-7.

More Farty
Sakatat gave us eight blissful minutes of grind perfection with farewell album Bir Devrin Sonu, but that wasn't enough to come close to Singaporean masters Wormrot and their totally out of left field debut Abuse, which triumphed 19-2.

So that was round two. As always, you can view the updated brackets here. Just keep in mind I'll be reseeding when the first batch is done, so the matchups it shows right now might not be the final faceoffs.

Anyway, on to the 3-6 matchups.

THE GEEZERS

More Metal
3. Terrorizer-World Downfall v. 6. S.O.B.-Gate of Doom

More Punk
3. S.O.B.-Don't Be Swindle v. 6. Disrupt-Unrest


THE UPSTARTS

More Arty
3. Mortalized-Absolute Mortality 2 v. 6. GridLink-Amber Gray (ya think I did that deliberately?)

More Farty
3. Agoraphobic Nosebleed-PCP Torpedo v. 6. Kill the Client-Cleptocracy

Have at it. Once again, you have until Sunday. You can vote here or at the Facebook page, whichever is most convenient.

Monday, July 2, 2012

The Namesake Series: "Darker Days Ahead"




Is there something about the name Darker Days Ahead that's cursed, that causes otherwise great bands to churn out disappointing albums? Because the name has soured both Terrorizer and Tragedy. So here are the title tracks from each, which surprisingly, taken in isolation, don't make for bad songs. So maybe my curse hypothesis needs further refining.

Monday, February 27, 2012

Grindcore Bracketology 2: Round 3

Round two creaks to a close, but this batch of matchups hardly seemed to phase you. This was one of the more lopsided lots of the whole shebang. Hopefully the choices get harder as we whittle away the chaff.

The Old Guard
The closest of the lot, but Gurn's extreme riffing demanded an extreme showdown as he snuck past Steer by 7-6.

The Innovators
You guys sent the Grindfather to the leaky, moldy retirement home with nary a look a back as you advanced Hull by a commanding 12-1 edge.

The Punks
You didn't look back in anger. You looked back in love, paying tribute to grindcore's past while telling grindcore's present to patiently bide its time. Heritage advances past Rasyid by 8-4.

The Technicians
No contest Burke ran the table with a perfect 11-0.


Shit is about to get serious now. Check out these brackets. These are the kinds of debates that ruin friendships and end marriages. This next round will determine who is king of each category. The clock stops on Sunday.

The Old Guard
3. Gurn (Brutal Truth) v. 4. Pintado (Terrorizer/Napalm Death/Resistant Culture)
Gurn and Pintado both picked up the thread from the first two Napalm Death records and pushed the grindcore formula forward to keep it from going stale at birth. Who gets to be king of them all?

The Innovators
2. Hull (ANb/Pig Destroyer/A.C.) v. 6. Papirmollen (Parlamentarisk Sodomi/PSUDOKU)
Two guys who relentlessly push themselves beyond grindcore convention with every project they undertake. Who does it better?

The Punks
2. Heritage (Assuck) v. 6. Beau (Insect Warfare)
This is a fascinating matchup. You'd arguably probably not have an Insect Warfare without an Assuck. But who best embodies that punk spirit that animates grind?

The Technicians
1. Matsubara (Mortalized/GridLink/Hayaino Daisuki) v. 3. Burke (Lethargy/Sulaco/Brutal Truth)
Two consummate musicians who never let technique get in the way of writing a good song. Which fretboard magician will rise above them all?

Monday, February 13, 2012

Grindcore Bracketology 2: Round 2 Week 1

It may have taken extra innings, but we're ready to get back into it. I asked you who made the most persuasive arguments and here's who won the masses over:

Yes I know this wasn't actually Perpetual Strife's vote (actually, he voted the opposite way, but it was enough to get Shane Bywaters thinking:
"I'd totally die before I call Psyopus a grindcore band, but I'm totally enjoying this tom-foolery of fretboard silliness. Reminds me of one of my most hidden dirty secrets: I like Beneath the Massacre's first EP. Something about sterile sounding guitars flipping the fuckout. "

So Arp moves on.

Meanwhile, Will Hubbell got down with Desiccated Veins' reasoning:
"Huh, kind of a tough one. Dick Johnson definitely did his part to shepherd grind safely out of the '90s, and for better or worse, Borja taught us what meaty-as-fuck Discordance Axis riffs sound like. Maybe it's 'cause I'm guilty about sending one Rob Marton worshipper through already, or maybe it's because Fractured Theology is sounding really good right now, but I'm gonna vote Johnson."

So that means Johnson will live to fight another day.

So here's the opening frame of round two. Check out the reseeded brackets here. Here's this week's matchups. As always, you've got until Sunday to make your case.

The Old Guard
1. Olivo/Freeman (Repulsion) v. 4. Pintado (Terrorizer/Napalm Death/Resistant Culture)
Grind from the grave vs. the guy who went to his too soon.

The Innovators
1. Procopio/Baglino (Human Remains) v. 6. Papirmollen (Parlamentarisk Sodomi/PSUDOKU)
I think this might be the most fascinating of the bunch: the guys who pretty much invented grind weirdness vs. the guy who perfected it for the 21st century.

The Punks
1. Burda/McLachlan (Phobia) v. 6. Beau (Insect Warfare)
Classic California punky grind vs. classic sounding Texas punky grind.

The Technicians
1. Matsubara (Mortalized/GridLink/Hayaino Daisuki) v. 7. Rainwater (Noisear/Kill the Client)
You all broke my heart when Rainwater somehow beat Rob Marton (I forgive you). Can the up and coming underdog take it two impossible triumphs in a row by taking out Matsubara as well?

Monday, January 30, 2012

Grindcore Bracketology 2: Week 3 Results/The 4-5 Matchups

I'm sorry to tell you all, but every single vote you've cast so far has been completely wasted. We're going to have to start over completely from the beginning because we all missed one guitarist who will run away with the whole competition. I don't know how we missed her in the beginning, but bow before your queen.


8-Year-Old Guitarist Makes Us All Look Bad - Watch More Funny Videos

While you sit there looking ashamed over your inability to remember the complex chord progression of "You Suffer," here's the 3-6 results.

The Old Guard
Gurn ran away with it, squashing Toshimi a perfect 10-0.

The Innovators
We're all going to infinity and beyond with space grinder Papirmollen, who edged out Talarczyk 7-5.

The Punks
No contest, Insect Warfare's Beau ran the table against Kill the Client's Richardson 12-0.

The Technicians
Another blowout with Erik Burke taking a 9-0 lead over the Creation is Crucifixion dudes.


So, we're moving on. As always you can check out the updated bracket here. Meanwhile, here's the last batch from round one, on to the 4-5s.

The Old Guard
4. Pintado (Terrorizer/Napalm Death/Resistant Culture) v. 5. Habelt (Siege)
Habelt had no clue he was inventing grindcore with Siege. Pintado helped perfect it over the next two decades.

The Innovators
4. Johnson (Enemy Soil/Drugs of Faith) v. 5. Borja (Maruta)
I've said this a lot, but Richardson has done a buttload to drag grind kicking and screaming into the future with drum machines and grindcore swing. Borja invented an instantly recognizable guitar tone that perfectly encapsulates grindcore's grizzly edge.

The Punks
4. Aalto (Rotten Sound) v. 5. Rasyid (Wormrot)
Finland and its Scandinavian kin represented the best grindcore had to offer during the first decade of the century. The next decade belongs to Southeast Asia. Who rules right now?

The Technicians
4. Rokicki (Antigama) v. 5. Arp (Psyopus)
I don't have the foundation in advanced chaos mathematics to keep up with either of these guitarists, but I recognize the insane talent involved.

As always, you've got until Sunday to make your best arguments.

Tuesday, February 16, 2010

Holy Terror!

I’m sure you’re all familiar with the five stages of grief. Every huckster, two-bit pop psychologist on the tube is bound to break them out when “diagnosing” some bored, fat haus-frau’s malaise on any number of woo-spewing day time talk shows of the Oprah ilk. But friends, were you aware that there are six stages of grindcore terror? Probably not. But if I’m ever going to make Deepak Chopra-style cash peddling absolute bullshit, I need to get this concept out in the public consciousness. So all of you grab a box of tissues and your teddy bear because we’re going to talk about your feelings.

The first step toward curing your terror-related problem, naturally, is to admit you have a problem. You must admit to your Terrorism, as it were, before you can put yourself back on the path of healing and emotional well being. Terrorism has been known to cause manic behavior such as circlepitting your living room, grasping at citrus no one else can see and breaking out in wordless, animalistic roars that scare pets and small children. All of this is perfectly natural, of course, but you must admit that your Terrorism exists and that it is a problem for any sort of treatment to be successful.

Having admitted to your Terrorism, the second stage of therapy will seek to identify the locus of your terror, the agent acting upon you or Terrorizer. Common fears include heights, kissing grandma, spiders, Tim Curry in It or, often, three Hispanic dudes from Los Angeles and their affirmative action gringo friend grinding your fucking face to a bloody milkshake with one of the greatest albums ever recorded. Who knows what yours might be. These things tend to vary. Pick yours and I’ll proceed to beat it out of you.

The most difficult fears to diagnose are those that lack grounding in concrete reality – an Unseen Terror in professional parlance – because they are often a result of a shock to the psychological system. Like the day you found out that fat, balding guy from Napalm Death used to be a fucking great drummer or further realizing that somebody actually went to the trouble of writing grind songs about Garfield. However, don’t make the Human Error of thinking just because your fear can’t be seen that it can’t be treated.

Now that we’ve identified the source of your terror, we must evaluate its impact on your life to devise an appropriate treatment program. A mild Phobia can generally be effectively managed with a regimen of waterboarding and electric shocks to the genitalia from a car battery. But if you suffer from a more Excruciating Terror we may have to get more … creative … in our therapy choices. Say, a melon baller, the audiobook of Atlas Shrugged and a tube of tennis balls. I’ll let you work that out for yourself.

Should more conventional methods of addressing your terror prove ineffective, we can of course step you up to the Extreme Noise Terror protocol. The protocol often involves gathering a couple hundred unsmiling young white men in black shirts in a dank, stinky hole that pretends to be a club and subjecting them to tinnitus-inducing levels of screeching, shrieking noise you have somehow convinced them constitutes music while simultaneously gouging them on food and beer prices. Who said being a humanitarian can’t be profitable? Fun fact: Khalid Sheikh Mohammed’s fear of air travel was cured by a 72-hour, 300 decibel session of Britney Spears’ greatest hits at our Guantanamo Bay treatment facility. The regimen was not a total success, however. While his fear of flying had been addressed, he also developed a crippling phobia of whorish, washed up teen pop stars. Not that I blame him.

Should we be successful, the terror treatment program should leave you in a state Beyond Terror Beyond Grace. While you’ll likely have overcome your fears (possibly substituting a slew of new phobias in the process, say of sadistic therapists), you’ll also place yourself beyond your chosen deity’s grace and redemption given the treatment often results in patients screaming blasphemies and obscenities throughout (again: melon baller, Ayn Rand, tennis balls). While you’ve likely sacrificed your immortal soul in the process (should you ascribe to such a quaint notion), I guarantee the Andrew Childers treatment process will mean your original fear will be the furthest thing from your mind.

Friday, January 22, 2010

Aftertaste Obliteration

Given that I have square-root-of-negative-1 musical talent my advice may count for little, but grind bands of the world please heed me. I ask two things of you: start your album strong and finish it strong. If you snap our neck from track one and leave us with a steel toed groin shot as a close, you’re about 75 percent of the way to writing a near-classic record. But far too often grind bands get pretentious and clever and decide to erase any good will they’ve earned with a record by trying to end with some “arty” closer that’s supposed to prove they have broader musical influences than humble grindcore. This is even more annoying than the “end with our really slow song” cliché. And since your fan base will generally skip it anyway, why don’t you?
If you’ll turn your reference books to the chapter labeled Discordance Axis you’ll learn how to do it properly. The Inalienable Dreamless’ “Castration Rite” has got to be one of the classic opening screeds. No build up, no bullshit; just grind. And yes, while Discordance Axis did give in to the “let’s write a really slow song” impulse with “Leaden Stride to Nowhere,” they were smart enough to make it the penultimate song rather than the closer. If sludge trudge wasn’t to your taste, they made sure the 40 second amuse-bouche “Drowned” ushered you from the table with a smile Mental exercise: imagine if “Leaden Stride to Nowhere” had actually closed the album: would it still be as effective?
So now that we know how to do it right, let’s learn from a few counter-examples.

Beyond Terror Beyond Grace
Extinction/Salvation
Grindhead
2007
Just. Don’t.
Please, that’s all I’m asking: just don’t. Beyond Terror Beyond Grace are a talented force for swampy, sludgy grindcore, and they should stick to that. Whoever told them they should dabble in electronic pastiche should be bitten by the multifarious venomous atrocities that infest Australia and then fed to dingoes. With its several fake-out endings “022617” is like the M. Night Shyamalan of songs: convinced it’s far more clever than it really is and just a grating disappointment in general. It’s also my new measuring stick for really horrible endings.
Beyond Terror Beyond Grace – “022617”

F.U.B.A.R.
Justification of Criminal Behaviour
Bones Brigade
2005
As Holland’s leading purveyors of power violence, F.U.B.A.R. can bring the noise. Somehow they were deceived into thinking they were the next J. Randall and larded the end of Justification of Criminal Behaviour with the empty calorie synth drone beat doom trifle “Fucked Up Beyond 7C.” Here’s a friendly word of advice: If I’m going to skip Man is the Bastard’s more annoying electronic excursions (and oh you better believe I do), then there’s no way in hell I’m gonna sit through five minutes of you fucking around with your Casio keyboard.
F.U.B.A.R. – “Fucked Up Beyond 7C”

Phobia
Means of Existence
Slap-a-Ham (Reissued by Death Vomit)
1998
Sadly, not even some of my favorite bands and favorite albums are immune from the phenomenon. Phobia have built their much deserved reputation as an unrelenting blastbeat monster gnawing through everything in their path. But for some reason at the end of Means of Existence the band suddenly decided they wanted to be Godflesh. So we’re treated to “Ruined,” an interminable mash of piercing jammed radio skree, inaudible samples that, mercifully, eventually gives way to a serviceable but certainly unnecessary doom song. By then I’ve already lost interest.
Phobia – “Ruined”

Terrorizer
Darker Days Ahead
Century Media
2006
This goes beyond merely asking why Darker Days Ahead needs to exist at all. Say what you will about Jesse Pintado’s half baked Terrorizer reunion, the crap sandwich aftertaste I get from this album rests squarely on the shoulders of Pete Sandoval. It’s courtesy of Commando we’re kissed off with a pointless piano and blastbeat amalgam that, though only 2:35, just seems like it will never end. If Sandoval was looking to evoke the interminable boredom of being stuck on a spectral locomotive that will never reach its destination, he’s succeeded. But as one of my favorite literature professors said of Kerouac’s drug-fueled, nonstop writing session for On the Road: Now you have to ask if it was worth the effort.
No.
Terrorizer – “Ghost Train”

Wednesday, January 14, 2009

The Thing That Should Not Be: Terrorizer

The band: Maybe it’s just me, but bands that came, kicked ass and left only one album to mark their passing have a sort of mythic status in my mind, but give Repulsion credit for dining out on one shot of brilliance for 20 years without sullying their rep with poorly conceived new material. Even Mike Amott had the good sense to rename the band Arch Enemy when he decided to reform Carnage post-Carcass. I can think of no better cautionary tale of that than L.A.’s legendary Terrorizer who recorded one posthumous (at the time) album before Jesse Pintado joined the formidable Napalm Death Mark 3 and drummer Pete Sandoval was absorbed into Morbid Angel. World Downfall was a revelation: a death metal/punk hybrid and proof that the limeys hadn’t cornered the market on grind. So why did the band have to go fuck it all up two decades later?

The album: Insert your preferred cliché about assaulting confined aquatic wildlife with high caliber firepower here, but Darker Days Ahead disappointed me. It needed to be said.
His drinking becoming a liability (Mitch Harris has said Pintado couldn’t even get his shit together to play a note on either of his last two albums with Napalm Death), Pintado decided to reform Terrorizer and party like it was 1989. And while not bad for a grind album, Darker Days Ahead was just terrible for a Terrorizer album.
Darker Days Ahead, indeed; weeks after its release, Pintado would be dead.
Was there something wrong with the original “Dead Shall Rise” that necessitated an update damn near 20 years after the fact? Pintado obviously thought so, so in 2006 he rounded up half of Terrorizer and farted out a lame redo that served only to soon part fools (like me) and their money.
Scratch the intro, outro and re-recorded versions of demo and World Downfall tracks and you’re left with a whopping eight songs of midgrade grind. The riffs are passable and I’ve always been a fan of Anthony Rezhawk’s brutal yet intelligible vocal delivery, but what passed for Terrorizer in 2006 was a flat, overproduced shadow of its former self. Sandoval may be one of the greatest drummers to ever sit on a stool, but his playing on Darker Days Ahead is absolutely inexcusable: a clicking typewriter of poorly produced, triggered drumming.
Which is a shame, because with better production (and under any name but Terrorizer), Darker Days Ahead may have been a passable affair. “Fall Out” and “Mayhem” aren’t bad songs; they just can’t live up to World Downfall’s legacy.

The verdict: There’s a reason a Japanese grind band named itself World Downfall and not Darker Days Ahead. Skip this; download this or buy this instead.

Saturday, May 17, 2008

The Dirty (Baker’s) Dozen: Look Back in Anger

When I started this blog six or so months ago, I assumed a real quick countdown list would help me pad out the posts for the five of six weeks, giving me a ready stock of copy to pull from when I couldn’t write something fresh. Here we are half a year later and it’s finally come to an end after I revised, revisited and rethought the countdown I had hastily assembled in advance. Essentially, I thought this list would help me explain to people (if anyone gives a rosy red rat’s posterior) where I was coming from musically, give you some insight into why I’m likely to praise some albums and pan others. But what I didn’t expect was how much I would learn from this process. (I’m about to get selfish and introspective, so deal with it or just skip ahead.) I’ve spent half of my life obsessively following the purveyors of blast beats, greedily hunting down any album with a completely sick song-to-length ratio to add to my collection, and the reflection this last has forced me to over the last few months has not only reaffirmed my love of grind, but forced me to really listen to some of my favorite albums with fresh ears. Try to think back to the first time you threw on your first Napalm Death album (1992—Utopia Banished on the b-side of a friend’s bootleg copy of Suicidal Tendencies’ debut). Or getting your grindcore cherry handed to you courtesy of the medicinal madmen in Carcass. Now that I’m in my 30s, going back and listening to these albums has allowed me to recapture that youthful sense of rage and abandon that made them so vital and so fresh originally. Hopefully you feel the same. If you’re still reading. If you care.
So first, a quick recap:


13. Anal Cunt
Morbid Florist
Relapse
1992
Grind’s clown princes.




12. Assuck
Misery Index
Sound Pollution
1996
Crucial, punk as fuck metal. [OK, in retrospect Anticapital probably deserves this spot. Fuck it. Buy both. They’re equally awesome.]



11. Agoraphobic Nosebleed
Altered States of America
Relapse
2002
Technogrind misanthropes, tune in, turn up (the bpms) and drop kick your ass.



10. S.O.B.
Gate of Doom
Toy’s Factory
1993
Grindcore ninja commando team from the land of the rising sun.




9. Siege
Drop Dead
self released
1984
A classic Boston beatdown that laid the cornerstone for the genre.




8. Pig Destroyer
Prowler in the Yard
Relapse
2001
House band to the stalker convention.




7. Terrorizer
World Downfall
Earache
1989
Toca rapido o muerte.




6. Brutal Truth
Sounds of the Animal Kingdom
Relapse
1997
A graduate degree in grind but plenty of time to smoke up with friends.



5. Nasum
Helvete
Relapse
2003
Hellaciously tight Swedish grind saviors and one of metal’s most revered martyrs.



4. Repulsion
Horrified
Necrosis
1989
Soundtrack to the greatest zombie flick Romero never made.



3. Carcass
Reek of Putrefaction
Earache
1988
These medical malpractitioners are more cloned than Dolly the sheep.




2. Napalm Death

Scum
Earache
1987
And the machine they built still rolls on 20 years later.

Saturday, February 2, 2008

Toca rapido o muerte: A Look Back at Grind’s Latin Explosion

Pete Sandoval didn’t even know what to call the racket he was kicking out on his first drum set in 1984 in Los Angeles.
Two decades on, Terrorizer is synonymous with grindcore, but the "Grind/core/Death/Speed/metal" noise they banged out didn’t even have a name when Sandoval unseated a drummer named Fishe to cement the band’s lineup.
“Finally I could do what I wanted to in a pure Grindeathcore guitar hellstorm! I loved it!” said Commando, who had been playing in a band called Merciless Death Squad at the time.
And while no list of the greatest drummers in metal could overlook the Terrorizer/Morbid Angel skinsman, Sandoval and a small coterie of L.A. bands during grind’s formative years can also be credited with breaking metal’s cultural line.
As uptight crypto-racist demagogues are calling for the roundup and deportation of anybody with more melanin than an Irish albino – regardless of legal status – it’s important to remember how Hispanic musicians helped birth grind. A full 15 years before MTV afflicted us with Ricky Martin, grind had its own Latin explosion going on.
Metal as a whole was just coming into its international own in the mid-80s, but aside from Suicidal Tendencies’ revolving door and the Spanish speaking half of Slayer, it was still very much a middle class high school white guy scene in America.
“Well, I guess most white guys were interested in heavy metal and glam rock while on the other hand the Hispanic musicians were busy writing sick stuff and having gigs anywhere they could,” Sandoval said.
“East L.A. was full of Hispanics before I moved to Tampa in 1988. There were tons of bands from that area and it meant that most bands were made of mostly Latinos and a few white guys that joined the extreme metal scene. I could mention to you bands like Sadistic Intent, Darkness (all Latinos), Terrorizer (all Latinos), F.C.D.N. Tormentor (all Latinos). I mean, I could mention to you at least 15 bands which are formed mostly by Latinos!”
That list would also include Excruciating Terror, Resistant Culture (known as Resistant Militia then) and the mighty Nausea, featuring Terrorizer throat Oscar Garcia.
It seems inevitable L.A.’s racial cauldron would open metal’s narrow doors to new viewpoints and cultural experiences.
“We have a little bit of everything here, a microcosm of the world,” Excruciating Terror guitarist Jerry “Roadkill” Flores said. “We have people here from every part of the world here. It is very segregated though. By government design of coarse. Just like any major city, the government creates ethnic ghettos. The segregation is residential. People do of course interact. It would be impossible not to.”
It was in that “ethnic ghetto” Flores met Martin Alvaro and Victor Garcia, the other two thirds of E.T.’s lineup, which even briefly included a young Dino Cesares of Fear Factory/Brujeria fame.
“We all went to the same schools and are from the same area, North East LA,” said Flores, who is still active with a new band, Bloody Phoenix. “We all lived about 3 miles from each other. I had known most since junior high. Looking back now, it's clear we all had different plans/goals. Speaking only for myself, from day one I just wanted to make music, record it, travel with people I could have fun with and meet all my pen-pals that I had had since I was about 13.”
Grindcore’s hybrid nature also forced upstart bands to mix up their social circles, which helped broaden its appeal and introduce new voices. There was no grind “scene” in L.A., Sandoval and Flores agree. Rather mid-80s grinders, who didn’t really know what to call their hellacious racket, were forced to carve out space on punk and metal bills to get their music heard.
“L.A. has had a steady influx of grind bands since the mid ‘80s. Most of those early bands didn't know what they were playing would eventually be called grindcore,” Flores said. “But at no time during that time would I honestly be able to tell you that there was a huge grindcore scene in L.A. Grindcore bands usually played death metal shows. It was weird. Too punk for metal, too metal for the punks. During that time it was much easier to get on a metal show than a punk show though. A lot of punks, not all, were elitist snobs who wanted nothing to do with us.”
So what are we to take from this little stroll through grind history? Latinos, like all other blast beat junkies, were just looking for an outlet for all the frustrations, petty and cosmic, that come with being part of the human species.
“Maybe it's the purity of it,” Flores said. “It's simplicity. It's intensity. It's anger. Things people from any background can feel and understand. Maybe it's the fact that in grind you don't hear about dragons or about how much money you have or how many women you've abused or Satan. Grind is honest and humble.”
We broach the possibility this whole exercise is just recursive post modern bullshit with Flores and he happily agrees.
“I am Latino,” he said. “I identify with Latinos, obviously. But I consider myself human before anything else. We are all one race, human. By breaking us down into groups you divide us. Division is our downfall as a race.”

Viva la Revolucion: Five Mandatory Latino Grind Albums

Terrorizer
World Downfall
Earache
1989
We’ve already deemed this the seventh greatest grind album of all time, so not too much more needs to be said.
World Downfall is a blistering tour de force of straight forward punk guitar over blast beat goodness. Almost as famous for the band members’ subsequent bands, Terrorizer were not only L.A.’s premiere grinders, but America’s best entry into the blast beat sweepstakes during the 1980s as well.
Terrorizer’s influence is undeniable. You can hear World Downfall’s influence in every straight forward, grimy grind band that came after them.

Nausea
Crime Against Humanity
Wild Rags
1991
After Terrorizer posthumously recorded World Downfall, frontman Oscar Garcia leaped into his new project. Rounding up members of Majesty and other local bands, Nausea crossed up proto-grind with bits of crust and a few industrial flourishes to firmly establish Garcia was not about to rest on his Terrorizer laurels. Though Crime Against Humanity is the band’s only full length to date, Garcia and Co. remain active, periodically playing along side like minded bangers such as Venomous Concept and Phobia.

Resistant Culture
Welcome to Reality
S.O.S. Records
2005
The first album G&P set its hand to reviewing. After a not so amicable parting of the ways with Napalm Death, guitarist Jesse Pintado hooked up with this all Latino ensemble, formerly known as Resistant Militia and featuring Tony Rezhawk, who would stand in for Oscar Garcia when Pintado reunited Terrorizer just before his untimely death. While Darker Days Ahead failed to revive Terrorizer’s glory days, Welcome to Reality is a stunning bit of forward looking metal noise, mixing prime grind with native chants and rhythms to create a startling original sound. The band’s lyrical concepts and political stances on the behalf of America’s marginalized native peoples are also refreshing.
If your ancestors sold small box infected blankets to indigenous peoples, Resistant Culture would like to have a word with you.

Excruciating Terror
Divided We Fall
Pessimiser
1997
Other than Phobia, no other first wave grind band was nearly as crusty and punked out as Excruciating Terror. This trio blasted out bass-heavy, primal thumpings that could peel the siding off your house from a couple blocks over.
Though they only recorded a couple of albums during their brief lifespan, Excruciating Terror went out on a high note with 1997’s Divided We Fall, a pissed off diatribe about the world’s many failings spread over 21 60-second outbursts. This is a band that has never gotten the proper credit for their place in grindcore’s annals, and Divided We Fall is an excellent place to get acquainted with one of the scene’s elder statesmen.

Bloody Phoenix
War, Hate and Misery
625 Thrash
2007
After Excruciating Terror fizzled, guitarist Jerry Flores roared right back with another largely-Latino ensemble that whips out snarling, stabbing bursts of grindcore bliss.
Picking up where his last band left off, Flores and his team are setting the bar even higher with a new batch of songs that easily rival the genre’s forerunners.
We’re all for seeing grind mutate and explore new possibilities, but it’s also nice to see someone keeping the home fires of the old school burning.

Sunday, January 20, 2008

The Dirty (Baker's) Dozen 7: Terrorizer

Terrorizer
World Downfall
Earache
1989
Almost overshadowed by the various members’ subsequent bands, Terrorizer’s World Downfall, recorded posthumously, is a roaring, blasting furnace of punk-infused grind.
No experimentation like labelmates Brutal Truth, and tighter than the first two incarnations of guitarist Jesse Pintado’s future partners in grind, Napalm Death. Instead World Downfall is a 36-minute whiplash ride from the moment you hit play. Pete Sandoval’s relentless drumming would later earn him a spot on the throne for deathsters Morbid Angel.
Coming from the racially charged cauldron of L.A. – which would explode just three years later – Terrorizer raged against all that was wrong with the world with short jabs of vicious metal and punk.
World Downfall’s DNA is found in a legion of younger bands playing straight ahead, ferocious grindcore. Lesser bands have spent careers endlessly aping Terrorizer’s sound, but very few can rival the original.
Culturally, the three-fourths Hispanic collective was also an important step in shattering the white boys’ club that had been metal to that point, introducing a powerful new voice and experience into the mix.The dead did indeed rise in 2006, this time with Resistant Culture’s Tony Rezhawk at the mic, but the band had lost a step or two in the intervening 17 years and Darker Days Ahead just lacked that verve that propelled World Downfall. Unfortunately, Pintado died only weeks after the album was released, but his work with Napalm Death as well as World Downfall has secured his place in grindcore Valhalla