We’ve already deemed this the seventh greatest grind album of all time, so not too much more needs to be said.
World Downfall is a blistering tour de force of straight forward punk guitar over blast beat goodness. Almost as famous for the band members’ subsequent bands, Terrorizer were not only L.A.’s premiere grinders, but America’s best entry into the blast beat sweepstakes during the 1980s as well.
Terrorizer’s influence is undeniable. You can hear World Downfall’s influence in every straight forward, grimy grind band that came after them.
Crime Against Humanity
After Terrorizer posthumously recorded World Downfall, frontman Oscar Garcia leaped into his new project. Rounding up members of Majesty and other local bands, Nausea crossed up proto-grind with bits of crust and a few industrial flourishes to firmly establish Garcia was not about to rest on his Terrorizer laurels. Though Crime Against Humanity is the band’s only full length to date, Garcia and Co. remain active, periodically playing along side like minded bangers such as Venomous Concept and Phobia.
Welcome to Reality
The first album G&P set its hand to reviewing. After a not so amicable parting of the ways with Napalm Death, guitarist Jesse Pintado hooked up with this all Latino ensemble, formerly known as Resistant Militia and featuring Tony Rezhawk, who would stand in for Oscar Garcia when Pintado reunited Terrorizer just before his untimely death. While Darker Days Ahead failed to revive Terrorizer’s glory days, Welcome to Reality is a stunning bit of forward looking metal noise, mixing prime grind with native chants and rhythms to create a startling original sound. The band’s lyrical concepts and political stances on the behalf of America’s marginalized native peoples are also refreshing.
If your ancestors sold small box infected blankets to indigenous peoples, Resistant Culture would like to have a word with you.
Divided We Fall
Other than Phobia, no other first wave grind band was nearly as crusty and punked out as Excruciating Terror. This trio blasted out bass-heavy, primal thumpings that could peel the siding off your house from a couple blocks over.
Though they only recorded a couple of albums during their brief lifespan, Excruciating Terror went out on a high note with 1997’s Divided We Fall, a pissed off diatribe about the world’s many failings spread over 21 60-second outbursts. This is a band that has never gotten the proper credit for their place in grindcore’s annals, and Divided We Fall is an excellent place to get acquainted with one of the scene’s elder statesmen.
War, Hate and Misery
After Excruciating Terror fizzled, guitarist Jerry Flores roared right back with another largely-Latino ensemble that whips out snarling, stabbing bursts of grindcore bliss.
Picking up where his last band left off, Flores and his team are setting the bar even higher with a new batch of songs that easily rival the genre’s forerunners.
We’re all for seeing grind mutate and explore new possibilities, but it’s also nice to see someone keeping the home fires of the old school burning.