Anti Homophobe-nym

Obviously, Wormrot has been much on my mind lately as I prepared my review for Dirge, which also entailed spending several intense hours with Abuse. But it wasn’t until I sat down with the Abusing the World DVD that accompanies Dirge that something occurred to me: How are you supposed to pronounce Abuse?
My mind automatically read the title as Ab-yoos. But it could also be pronounced Ab-yooz.
How you pronounce it? And does it make a difference. Oh sure, I could just ask the band how they intended it, but that would spare me the fun of drastically overthinking this.
Ab-yoos, to me, implies passivity. It is something being inflicted upon Wormrot, which they must endure. However, ab-yooz is more active in nature. It suggests something the band would be doing unto others (not as they would like having done unto them).
As Spinal Tap so adroitly noted, it's that little turn at the end that makes all the difference.
Of course, I consulted the lyric sheet for some insight, but there is nothing like a title track to provide clarity. In fact, the word “abuse,” in either form, is not actually used in the lyrics. “Exterminate” gives us one past tense variation on the word: “Build your hate. Exterminate. Pitiful creep. Been abused.” That's all we have to go by and I'm not sure that's definitive. But that’s all we’ve got to go on.
I’m curious how you read the title and whether that your preferred pronunciation makes any difference to how you interpret the album, the lyrics or the music. Toss out your theories in the comments.
Fuckin’ homonyms, how do they work?

G&P Review: Wormrot

Wormrot
Dirge
Earache
Abuse – Wormrot’s out of nowhere, totally unexpected slab of staggering awesomeness (from Singafuckingpore of all places, ferchrissakes) – was a magical, transcendental moment in 2009 and touchstone for grindcore's future. It was like seeing Haley’s Comet, stumbling on Brigadoon or Brian Burke showing restraint and not blowing up the Maple Leafs’ lineup at the trading deadline: It just wasn’t the kind of thing you expected to see in your lifetime. And without any scene buzz in advance, nothing could prepare you for it.
While it may be unfair to them, everything Wormrot does must be measured against that early pinnacle – at least until they can top it. Dirge, unfortunately, isn't that album. It is an extremely good album, but Abuse was a great album.
Dirge is a bristling, slavering old school 18 minutes of unsubtle aggression and abrasive annihilation, but it just doesn’t quite straddle the divide between adrenaline junkie and catchy riff earjaculation (thanks, Bill, told you I was stealing that term) as effortlessly as Abuse. Dirge sacrifices memorability on the altar of unrelenting speed and migraine-inducing noise. In fact, it feels overly self conscious and more than a tad safe, as though the sudden explosion of attention had gotten to them. There are fewer songs here that will mug you in a dark alley the way “Fuck…I’m Drunk,” “Murder” or “Born Stupid” roughed you up. That’s compounded by a compression to the mix - possibly an artifact of the band's ridiculously short/punk as fuck recording session - that smashes the guitars into the cymbals, making it hard to latch on to the riffs (especially in a squashed mp3 format; physical formats fare better). But all the other familiar Wormrot elements are prominently pimped out for your enjoyment: the sarcastic humor ("You Suffer But Why is it My Problem" now joins the pantheon of "Seth Putnam is Wrong About a Lot of Things But Seth Putnum is Right About You" as one of my favorite song titles ever) and symbiotic interplay between Rasyid and Fitri (guitar and drums) is on a telepathic level at this point, which frees up frontman Arif to yap and slaver like a poorly socialized pitbull guarding his yard.
Dirge rocks really hard, and I don’t want this to sound overly negative – I’ve spent three months trying to sort out my feelings about this album, assessing whether my unreasonable expectations were at fault. Dirge will certainly blow your hair back and holds its own against the rest of the field in a really crowded year. There’s just that unquantifiable quintessence that’s missing.
If you need any more convincing, Earache is giving the album away as a free download.

[Full disclosure: I bought my copy as soon as it came out, but after I wrote this post and had it queued up Earache sent me both the LP and CD/DVD versions.]

Death by “Manipulation:” A Sneak Peak at Wormot’s Impending Dirge

[Update: I've heard three other tracks from Dirge now, and frankly I'm mystified Rasyid thinks they'll lose fans. While the songs are uniformly awesome, I'm left wondering if it's not too much of what we expected. Is that something on their end, or a function my of sky high expectations. I'm still pondering that, but I guess we'll all hash it out in May. Meanwhile, discuss amongst yourselves.]

I don’t know, realistically, how much you can extrapolate about a new album from a single tune – especially one that falls just shy of the minute mark – but Wormrot’s “Manipulation” has had me grasping at straws for a week now, tossing out poorly founded conjecture as to what the upcoming Dirge may have to offer.
The song whips you around like Jason Voorhees hefting a sleeping bag, and I've dissecting it like a Cold War Kremlinologist poring over Politburo photos vainly trying to discern who’s in Khrushchev’s good graces this week ever since Earache honcho Digby Pearson sent the track straight from the band’s marathon two day, 30 song mixing and recording session.
“Dirge was recorded, mixed and completed in 2 days. This little fact tickles me no end,” Pearson said.
Guitarist Rasyid breaks it down by the numbers for you:
“For those of you who likes statistics, Fit and I recorded our parts on the same day from 10 a.m. to 10 p.m.,” he said. “Fit did his drums in 2 hours 30 minutes (no breaks), I recorded 2 layers of guitars in 6 hours (minus 3 hours because of a recording setback which led me to re-record 11 songs, plus a 3-cigarettes smoking break), and Arif did his vocals sparingly at home in a total span of 2 days if I’m not wrong.”
Since Pearson and I talked, Earache has posted the song for all to enjoy (which some of you with sharper eyes already noticed), but let me walk you through my first listen or 12:

• The first 15 seconds, well shit, this is kind of boring. Why did Wormrot slow down to skipping skate punk? I guess the sophomore jinx caught up with them. Oh shit, that’s just a prelude…
• From 0:16 to 0:20 blaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaast. Why is that steam shovel pounding pylons into my noggin? And why do I like it so much?
• From 0:21 to 0:25 sweet merciful Shiva can Rasyid write a ripping, galloping riff. It’s like the best parts of “Born Stupid” condensed.
• From 0:26 to 0:30 Wormrot make the case for forming a killer sludge band under another moniker if this whole grind shtick doesn’t work out.
• From 0:31 to the end, yet another sweet ass galloper of a riff over a giddy-up, hiyo-Silver bit of drum gymnastics. A lesser band would have made two or three songs from the bits Wormrot stitched together, which they toss out like a newly minuted rapper's benjamins at the strip club.

What all this may augur for Dirge, coming this spring, the band isn’t saying.
“Personally, I do not want to reveal anything about how the album would sound like cuz i want it to suckerpunch you like how Abuse did,” Rasyid said. “All I can say is that this is unlike Abuse. We’ll lose some listeners with this one, but I’m sure it’ll please many grindheads. But fuck yea 'Manipulation' is a fun song to write!”
The band you guys named the fourth best in the world (and they’re humorously annoyed at losing out to GridLink, btw) is not shy about admitting to feeling the pressure when the time came to ready their second album. Where Abuse exploded out of nowhere, Dirge will come burdened by everyone’s expectations as well as the imprimatur of Earache shoving them out into the public eye.
“Dude, we started feeling the pressure the first second Earache knocked on our door,” Rasyid said. “Abuse was a labour of almost a year of finding our own feet with the band and writing at our own pace. We can never recreate Abuse or the painful yet memorable journey it took us three. It was almost the case of the right release at the right time for the right people.”
As the hoary musical adage goes, bands have their entire lives to write their first album and about a year to write the second. Coming off their first taste of international touring, Rasyid said the band faced the prospect of hitting the studio without an album’s worth of songs in hand. Where the guitarist would previously hash out songs at his leisure, later working over the parts with drummer Fitri, Wormrot took a more collaborative approach to crafting Dirge.
“We tried this new approach whereby we come into the studio with nothing and the first question we’ll ask each other is ‘so how do you want this song to sound like’ and we’ll pick a reference song or two from any band, throw in as many ideas and try out as many possible riffs and drums patterns,” Rasyid said. “Maybe I’ll start with a riff and Fit joins in, or vice versa. It turned out to be more organic and personal: each of us talking and listening to each other, having fun creating a song from nothing, a better flow and transition in song. I realized that we had captured the true meaning of ‘jamming’ in the short period of time we had. I have to be honest that when we were writing, I was skeptical cuz I am not used to letting the steering wheel go and see where it brings us, but after hearing the final product, I’m so proud of what we had accomplished.”
Dirge is due this spring and the first run of CDs will also come packed with a DVD that includes footage from their North American and European tours as well as in-studio footage, including Rasyid’s impressive command of Malay profanity.
“Yes, I will teach you a Malay profanity,” Rasyid said. “It’s good.”