Not content with a deadlocked ending last week, you had to go and do it again. Good job, guys. This is why we can't have nice things. So for the second week in a row I was forced to employ my dictatorial powers to call the victor. Who did I just condemn to perdition? Read on.
THE GEEZERS
More Metal
Once again the more metal category gave you fits with Terrorizer's World Downfall and Brutal Truth's Need to Control knotted up at 10 a side. So by the power vested in me by the state of insanity, I'm advancing Terrorizer to the next round. Plus, I'm afraid Gamefaced would beat me up if they lost.
More Punk
Assuck (anti)capitalized on their opportunity to bump Brutal Truth out of the running, squeaking past Extreme Conditions Demand Extreme Responses by 11-9.
THE UPSTARTS
More Arty
Dephosphorus put out a beast of a record with Night Sky Transform, but who are we kidding? It's up against Prowler in the Yard. Pig Destroyer took a decisive 18-2 win.
More Farty
In the battle of Asia experience triumphed over youthful energy as 324 snuck past Wormrot by 11-9.
So that brings us to the end of the initial rounds and the updated brackets are available for your viewing pleasure here. Now it's time to get serious. It's time to decide who's the most metal, who's the artiest, who's the fartiest. Who will triumph in each category? As always, you have until Sunday and you can vote here or at the Facebook page.
THE GEEZERS
The Most Metal
1. Repulsion-Horrified v. 3. Terrorizer-World Downfall
The Punkiest
1. Napalm Death-Scum v. 5. Assuck-Anticapital
THE UPSTARTS
The Artiest
1. Discordance Axis-The Inalienable Dreamless v. 2. Pig Destroyer-Prowler in the Yard
The Fartiest
1. Insect Warfare-World Extermination v. 5. 324-Boutoku no Taiyo
Showing posts with label 324. Show all posts
Showing posts with label 324. Show all posts
Monday, February 18, 2013
Monday, February 11, 2013
Grindcore Bracketology 3: Round Two Part Two
Well this is a fine predicament you people left me in to start off round two. A tie. Who's all knotted up and how have I resolved it? Read on.
THE GEEZERS
More Metal
You guys split dead even at 12 apiece for Repulsion's Horrified and Assuck's Misery Index. So I will employ my dictatorial powers to call this one. As your benevolent(ish) dictator, I hand the victory to Horrified. Not only is it widely viewed as the first true grind record, but my decision was all the easier knowing that Assuck still live to fight another day with Anticapital still in contention.
More Punk
Though the early voting suggested we'd get a pretty stunning upset, Napalm Death and Scum gutted it out with a late surge to roar past Disrupt's Unrest by 17-6.
THE UPSTARTS
More Arty
No matter who loses, Jon Chang wins this one. You guys decided The Inalienable Dreamless is a better record than Amber Gray by a pretty comfortable 19-4 margin.
More Farty
Another no brainer, Insect Warfare's World Extermination declared war with Kill the Client's grindcore, squashing Cleptocracy by 20-3.
So that's the first half of round two. Before we move on, you can peruse the standings here. So let's get to the second half. As always, vote here or at the Facebook page. Once again, you've got until Sunday to make your thoughts know.
THE GEEZERS
More Metal
3. Terrorizer-World Downfall v. 4. Brutal Truth-Need to Control
More Punk
2. Brutal Truth-Extreme Conditions Demand Extreme Responses v. 5. Assuck-Anticapital
THE UPSTARTS
More Arty
2. Pig Destroyer-Prowler in the Yard v. 4. Dephosphorus-Night Sky Transform
More Farty
2. Wormrot-Abuse v. 5. 324-Boutoku no Taiyo
THE GEEZERS
More Metal
You guys split dead even at 12 apiece for Repulsion's Horrified and Assuck's Misery Index. So I will employ my dictatorial powers to call this one. As your benevolent(ish) dictator, I hand the victory to Horrified. Not only is it widely viewed as the first true grind record, but my decision was all the easier knowing that Assuck still live to fight another day with Anticapital still in contention.
More Punk
Though the early voting suggested we'd get a pretty stunning upset, Napalm Death and Scum gutted it out with a late surge to roar past Disrupt's Unrest by 17-6.
THE UPSTARTS
More Arty
No matter who loses, Jon Chang wins this one. You guys decided The Inalienable Dreamless is a better record than Amber Gray by a pretty comfortable 19-4 margin.
More Farty
Another no brainer, Insect Warfare's World Extermination declared war with Kill the Client's grindcore, squashing Cleptocracy by 20-3.
So that's the first half of round two. Before we move on, you can peruse the standings here. So let's get to the second half. As always, vote here or at the Facebook page. Once again, you've got until Sunday to make your thoughts know.
THE GEEZERS
More Metal
3. Terrorizer-World Downfall v. 4. Brutal Truth-Need to Control
More Punk
2. Brutal Truth-Extreme Conditions Demand Extreme Responses v. 5. Assuck-Anticapital
THE UPSTARTS
More Arty
2. Pig Destroyer-Prowler in the Yard v. 4. Dephosphorus-Night Sky Transform
More Farty
2. Wormrot-Abuse v. 5. 324-Boutoku no Taiyo
Labels:
324,
Assuck,
bracketology,
brutal death,
dephosphorus,
grindcore,
pig destroyer,
terrorizer,
wormrot
Monday, January 28, 2013
Grindcore Bracketology 3: The 4-5 Matchups
Despite Jon Chang's laughably desperate attempt to stuff the ballot box by voting twice, some of his favorite records just got torched. I call that justice. Everyone savor the tears of his failure. Which sons of bitches met their mortality? Read on.
THE GEEZERS
More Metal
S.O.B.'s Gate of Doom met its World Downfall at the hands of Terrorizer, falling by 16-2 (and I only counted one of Jon's votes).
More Punk
Disrupt disrupted S.O.B.'s second entry in the contest when Unrest stomped all over Don't Be Swindle by 13-5.
THE UPSTARTS
More Arty
No matter who goes down, Takafumi Matsubara won this round, and you guys decided GridLink's Amber Gray was superior to Mortalized's Absolute Mortality 2 by 14-4.
More Farty
Kill the Client's Cleptocracy stole the show, outlasting Agoraphobic Nosebleed's PCP Torpedo by 9-6.
As always, the updated brackets are available for your perusal here.
So that brings us to the last batch for the first round. Here are the 4-5 matchups. As always, you have until Sunday to vote either here or at the Facebook page, whichever suits you. Just a friendly reminder, you only get to vote once (*cough*Chang*cough).
THE GEEZERS
More Metal
4. Brutal Truth-Need to Control v. 5. Carcass-Reek of Putrefaction
More Punk
4. Siege-Drop Dead v. 5. Assuck-Anticapital
THE UPSTARTS
More Arty
4. Dephosphorus-Night Sky Transform v. 5. Agoraphobic Nosebleed-Altered States of America
More Farty
4. Suffering Mind-Suffering Mind v. 5. 324-Boutoku no Taiyo
THE GEEZERS
More Metal
S.O.B.'s Gate of Doom met its World Downfall at the hands of Terrorizer, falling by 16-2 (and I only counted one of Jon's votes).
More Punk
Disrupt disrupted S.O.B.'s second entry in the contest when Unrest stomped all over Don't Be Swindle by 13-5.
THE UPSTARTS
More Arty
No matter who goes down, Takafumi Matsubara won this round, and you guys decided GridLink's Amber Gray was superior to Mortalized's Absolute Mortality 2 by 14-4.
More Farty
Kill the Client's Cleptocracy stole the show, outlasting Agoraphobic Nosebleed's PCP Torpedo by 9-6.
As always, the updated brackets are available for your perusal here.
So that brings us to the last batch for the first round. Here are the 4-5 matchups. As always, you have until Sunday to vote either here or at the Facebook page, whichever suits you. Just a friendly reminder, you only get to vote once (*cough*Chang*cough).
THE GEEZERS
More Metal
4. Brutal Truth-Need to Control v. 5. Carcass-Reek of Putrefaction
More Punk
4. Siege-Drop Dead v. 5. Assuck-Anticapital
THE UPSTARTS
More Arty
4. Dephosphorus-Night Sky Transform v. 5. Agoraphobic Nosebleed-Altered States of America
More Farty
4. Suffering Mind-Suffering Mind v. 5. 324-Boutoku no Taiyo
Labels:
324,
agoraphobic nosebleed,
Assuck,
bracketology,
brutal truth,
carcass,
dephosphorus,
grindcore,
siege,
suffering mind
Wednesday, July 6, 2011
Grindcore for Dummies

As sub-sub-sub genres like folk-inflected post-death blackened NeurIsis-core further slice and dice the metal audience into niche-ier and niche-ier niches, bands have to work harder and harder to woo their target demographic. And clearly they don’t think we’re bright enough to read the giant hype sticker on the front of their album proclaiming them the grindiest grind that ever ground because a number of them go to absurd lengths to remind us they play grindcore.
Absurd lengths like…

Magrudergrind
Willowtip
2009
Magrudergrind play grind and they’re from the Magruder neighborhood near D.C. You see where this is going? That’s like me naming my this place Suburban Townhouse Grindcore Blog, the only name possibly worse than the one I already chose. But if you write grind tunes as catchy as Magrudergrind, you may want to make it as obvious as possible to their target demographic that they’re not banging out Maroon 5 covers at their high school dance.
While few bands have gone to the length of shoving grind into their name, more than a few have oh so subtly reminded you of the blastbeaten proclivities in their album titles.

Grind Finale
Relapse
2006
More than any other band, Nasum have earned the right to proclaim their grindcore bonafides via album title with an unparalleled track record of essential albums. I’ve previously sung the praises of this immaculate tribute to the late Mieszko Talarczyk, which collects everything that didn’t end up on their four Relapse albums. This is grind incarnate and the finale of an unsurpassed career. They get a pass. But statistically speaking, your band is probably not Nasum (the numbers are not gonna lie there; don't argue with numbers). So that means you should probably avoid that level of obviousness. You haven't earned it.

Grindcore
Cooperaccion
2003
How obvious can you get, you ask. Astute question, young grasshopper.
Spain’s Denak are as about as blatant as you can get, simply naming their retrospective collection Grindcore. Try to picture how that in-band conversation may have gone:
What should we name our album?
I dunno. How about grindcore?
Glad that's settled. Who's up for some tapas?
Aaaaaaaaaaaaaaaaaand ... Scene.
Band members would develop more tact when they went on to form Looking for an Answer, but Denak was brash enough to stake their claim to the genre as a whole. They were talented enough to back it up as well. See the Nasum rule above. You are not Denak. Do not do this.

Rebelgrind
HG Fact
2006
How do you rebel against grind? If 324 are to be believed, it includes copious amounts of crust and a few gang choruses. 324 doubled down on the grind proclamations with 2006’s Rebelgrind, announcing their intentions not only through the title but also in the CD tray, which anoints their music “Grind Babylon/Babylon Grind.” Yeah. I have no clue what the fuck that means either. But it's Japanese, so I'm just gonna assume it's awesome and involves tentacle rape. But perhaps the whole “rebel” shtick was a defensive move because 324 knew how polarizing this album would be.

Grind Killers
SelfMadeGod
2010
Japanese antiterrorism freaks Unholy Grave put a hit out on grindcore with 2010 live in the studio album Grind Killers. Dear Unholy Grave, this is an intervention. After 18 years and a metric butt ton of splits, we know you play grindcore. And if we didn't, I'm pretty sure we could have intuited that fact based on Unholy Grind Destruction, Grind Freaks, Grind Victim, Angry Raw Grinder, Raw Grind Mayhem, Grinding Hell Slaughter, Grind Heads, Grind Eternal, Grindholic, Grindignation, The Grind Militia, Immortal Grind Legion, Grind Hell and Grind Blitz.
We get it. Now please stop.
Putting the grind in your band name or album title will certainly grab the eyeballs, but some people just don’t want to be that gauche. Album art provides another excellent outlet to proclaim your grind fidelity.

Loony Planet/Industreality
Sound Pollution
2003
I randomly bought Cyness’ debut album during a going out of business sale at Tower Records. For you whippernsappers out there a “Tower” was one of many physical places called a “store” that sold “records” in an era before you could simply download it. Now get the hell of my lawn.
Why did I grab this, having previously never heard of the German band? Well that gigantic “grindcore” spooning underneath their logo on the album cover was pretty much all the enticement I needed. Well played, gentlemen.
Bear in mind this is not a foolproof system. For every band jumping up and down on a street corner shouting “GRINDCORE” into a day-glo green megaphone, you’ve also got to keep an eye out for moments of pareidolia. Moments like…

The Greatest Sonic Abomination Ever
Prank
2001
Scrotum Grinder sounds like the kind of name you’d pick for your high school Carcass cover band. And when you hear the Floridians feature Steve Kosiba, bassist on Assuck’s Misery Index, visions of blast beats should start dancing in your bewildered little heads. Actually, this chick fronted band surfed the final wave of southern crust punk, drawing more inspiration for Antischism than Anal Cunt. While still an enjoyable listen (and despite a fixation on Ronald Reagan 13 years after he left office) the down tempo chug-a-lug shoutalong may not satisfy your bpm jones. And album title to the contrary, it is not the worst sonic abomination ever. I've heard Pat Boone's metal album.


Willowtip
2009
Also beware the illusory false cognates. Sure Afgrund sounds like it should be some sort of past participle tribute to their grinding awesomeness (think something like Metallica, but hopefully not pissing off Hitler). But the name actually means Abyss in Swedish (please tell me they're recording their next album at Peter Tagtgren's studio). Afgrund set you up for a double dose of misconception here because their second album, Vid Helvetets Grindar, sounds like it's out to pimp grind like Unholy Grave. Nope, foiled again. Run through an internet translator, I’m told Vid Helvetets Grindar has nothing to do with hellaciously awesome grind. Instead, it means something close to “At Hell’s Gates.” Still perfectly metal, just not as grindcentric as an amateur translator may assume on first glance
Labels:
324,
afgrund,
conversation starters,
cyness,
denak,
grindcore,
magrudergrind,
nasum,
scrotum grinder,
unholy grave
Monday, November 29, 2010
Grindcore Bracketology: Semifinals/Regional Championships
All the winnowing to date leads to this. This round you’re going to crown kings of the region who will advance to compete for hemispheric dominance and, ultimately, the global title. You guys have been in top game form to date, but I think a few of these are going to test your argumentary mettle. Who is going to advance one step closer to grindcore's Mount Midoriyama?
Take a gander at the brackets here, and now it’s game on. You’ve got until Saturday.
North America
Pig Destroyer (1) v. GridLink (2)
Art reigns supreme in North America. Now it’s a question of whether you prefer Pig Destroyer’s nightmarish explorations of psychological decay over GridLink’s neon jazzed tribute to the New World’s enduring fascination with the Far East. Many of you have grumbled about GridLink's dearth of material. How will they fare against Pig Destroyer's quartet of albums and a few splits?
Asia and Australia
Wormrot (1) v. 324 (2)
For the Pacific Rim, it’s a battle of the old guard vs. the new jacks. 324 have been pretty consistently awesome over a dozen years (though I will acknowledge Rebelgrind was not to everyone’s taste). In the other corner is Wormrot who are still riding the buzz of a single unbelievably awesome record that channels the pure essence of grind.
Scandinavia
Rotten Sound (1) v. Sayyadina (2)
Apparently Sweden and Finland have been nurturing a healthy rivalry for about 1,000 years that is often settled at the hockey rink. I now propose we lay it to rest permanently on the vaunted grindcore pitch. Rotten Sound versus Sayyadina: whose country will be taking the bragging rights home?
Continental Europe and the United Kingdom
Napalm Death (1) v. Nashgul (5)
Napalm Death continue to surprise me. Given the antipathy to the current incarnation in some corners, I secretly expected them to nosedive in the first round when matched with Agathocles, but like the actual band, they just keep grinding it out. If Napalm Death are surprising me, in retrospect, I probably shouldn’t have been as surprised as I was by the passionate following Nashgul have engendered on the strength of their steadfastly classic approach to grind. Nashgul embody the same drive that Napalm Death shepherded into being but have since abandoned. Do you honor a legacy band still willing to take a chance or the young bucks who lay it on the line for heritage?
Take a gander at the brackets here, and now it’s game on. You’ve got until Saturday.
North America
Pig Destroyer (1) v. GridLink (2)
Art reigns supreme in North America. Now it’s a question of whether you prefer Pig Destroyer’s nightmarish explorations of psychological decay over GridLink’s neon jazzed tribute to the New World’s enduring fascination with the Far East. Many of you have grumbled about GridLink's dearth of material. How will they fare against Pig Destroyer's quartet of albums and a few splits?
Asia and Australia
Wormrot (1) v. 324 (2)
For the Pacific Rim, it’s a battle of the old guard vs. the new jacks. 324 have been pretty consistently awesome over a dozen years (though I will acknowledge Rebelgrind was not to everyone’s taste). In the other corner is Wormrot who are still riding the buzz of a single unbelievably awesome record that channels the pure essence of grind.
Scandinavia
Rotten Sound (1) v. Sayyadina (2)
Apparently Sweden and Finland have been nurturing a healthy rivalry for about 1,000 years that is often settled at the hockey rink. I now propose we lay it to rest permanently on the vaunted grindcore pitch. Rotten Sound versus Sayyadina: whose country will be taking the bragging rights home?
Continental Europe and the United Kingdom
Napalm Death (1) v. Nashgul (5)
Napalm Death continue to surprise me. Given the antipathy to the current incarnation in some corners, I secretly expected them to nosedive in the first round when matched with Agathocles, but like the actual band, they just keep grinding it out. If Napalm Death are surprising me, in retrospect, I probably shouldn’t have been as surprised as I was by the passionate following Nashgul have engendered on the strength of their steadfastly classic approach to grind. Nashgul embody the same drive that Napalm Death shepherded into being but have since abandoned. Do you honor a legacy band still willing to take a chance or the young bucks who lay it on the line for heritage?
Labels:
324,
bracketology,
gridlink,
grindcore,
napalm death,
nashgul,
pig destroyer,
rotten sound,
sayyadina,
wormrot
Thursday, November 25, 2010
Grindcore Bracketology: Quarterfinals 2 Winners
Despite one turd in the pool, I’m absolutely enjoying sitting on the sidelines watching you guys (respectfully) argue this one out. Quarterfinals 2 has been another brutal round and there are some heart wrenching eliminations coming. But it had to happen sooner or later. Here’s who you said should advance to fight it out for regional mastery. As always, updated brackets can be reviewed here. Well get back to voting again on Monday.
North America
Was that a hint of an anti-GridLink backlash I was picking up in the comments? Though some of you remain unimpressed by Chang and Matsurbara’s collabo, the Jersey-Japanese amalgamation powered passed Texas heroes Kill the Client by 13-9 in a thoroughly grueling matchup. No matter who won that one, I kinda feel like we all lost.
Asia and Australia
Luckily, Gamefaced will not be hunting each of you down to devour your souls because 324 cruised past Singapore acolytes Mangnicide by either 16-1 or a perfect 17-0. (Sorry, Amalgamated, I wasn’t sure where you’re going with that. If you’d care to clarify that in the comments, we may just have our very first shutout.)
[Addendum: Amalgamated said it was a vote for Magnicide. So the official final count will stand as 16-1 even though he/she/it/they will bow the majority. Either way, look out for Gamefaced, my friend.]
Scandinavia
I fear the Afgrund v. Sayyadina rivalry will never be satisfactorily resolved. Though Sayyadina eventually won out by 11-6, this was the closest call of the lot and the quality arguments offered for both suggest a convincing case could have been made to overturn the will of the people. Too bad I’m on Team Sayyadina.
Continental Europe and the United Kingdom
Upsets have been vanishingly rare so far, but Dutch crushers Blood I Bleed will be hitting the showers early after getting thoroughly pummeled by Nashgul 12-4. The Spanish band was probably the hardest ranking decision I had to make initially, and they’re quickly proving themselves to be a dark horse to watch with a second upset to their credit.
North America
Was that a hint of an anti-GridLink backlash I was picking up in the comments? Though some of you remain unimpressed by Chang and Matsurbara’s collabo, the Jersey-Japanese amalgamation powered passed Texas heroes Kill the Client by 13-9 in a thoroughly grueling matchup. No matter who won that one, I kinda feel like we all lost.
Asia and Australia
Luckily, Gamefaced will not be hunting each of you down to devour your souls because 324 cruised past Singapore acolytes Mangnicide by either 16-1 or a perfect 17-0. (Sorry, Amalgamated, I wasn’t sure where you’re going with that. If you’d care to clarify that in the comments, we may just have our very first shutout.)
[Addendum: Amalgamated said it was a vote for Magnicide. So the official final count will stand as 16-1 even though he/she/it/they will bow the majority. Either way, look out for Gamefaced, my friend.]
Scandinavia
I fear the Afgrund v. Sayyadina rivalry will never be satisfactorily resolved. Though Sayyadina eventually won out by 11-6, this was the closest call of the lot and the quality arguments offered for both suggest a convincing case could have been made to overturn the will of the people. Too bad I’m on Team Sayyadina.
Continental Europe and the United Kingdom
Upsets have been vanishingly rare so far, but Dutch crushers Blood I Bleed will be hitting the showers early after getting thoroughly pummeled by Nashgul 12-4. The Spanish band was probably the hardest ranking decision I had to make initially, and they’re quickly proving themselves to be a dark horse to watch with a second upset to their credit.
Thursday, November 18, 2010
Grindcore Bracketology: Quarterfinals 2
Here’s the second half of the quarterfinals. You’ll have until Tuesday to make your case in the comments.
North America
GridLink (2) v. Kill the Client (3)
A battle of aesthetics. GridLink are sleek, emotional and oddly positive for the normally grumpy world of grind. They’re like magically finding one of Japan’s legendary vending machines outside of your local 7-Eleven. Kill the Client just want you to die. Preferably exploded into little pieces. Subtle is one thing they’re not with their violent brew of blast beats and punk riffs.
Asia and Australia
324 (2) v. Magnicide (3)
Like Obi Wan and Darth Vader, this is a meeting of master and student. Has the circle been completed? Are Magnicide now the masters while 324 has laid idle due to lineup instability? Who wears the Asia crust grind crown at the moment?
Scandinavia
Sayyadina (2) v. Afgrund (3)
There’s no need to rehash old territory. We’ve had this argument before. I think Sayyadina represent the best of post-Nasum Swedish grind. Many of you offered up Afgrund instead. Now it’s time to make your case in the comments. May the better band win.
Continental Europe and the United Kingdom
Blood I Bleed (2) v. Nashgul (5)
Two of Europe’s most promising bands offer a fairly stark contrast. Holland’s Blood I Bleed embody the finest aspects of modern grind songwriting. Everything’s spiky and frenetic, strangled by deliberately placed static. Spain’s Nashgul, on the other hand, think grind peaked with Horrified and are content to keep it traditional. So do you prefer Coke Classic or New Coke. Wait, bad analogy.
North America
GridLink (2) v. Kill the Client (3)
A battle of aesthetics. GridLink are sleek, emotional and oddly positive for the normally grumpy world of grind. They’re like magically finding one of Japan’s legendary vending machines outside of your local 7-Eleven. Kill the Client just want you to die. Preferably exploded into little pieces. Subtle is one thing they’re not with their violent brew of blast beats and punk riffs.
Asia and Australia
324 (2) v. Magnicide (3)
Like Obi Wan and Darth Vader, this is a meeting of master and student. Has the circle been completed? Are Magnicide now the masters while 324 has laid idle due to lineup instability? Who wears the Asia crust grind crown at the moment?
Scandinavia
Sayyadina (2) v. Afgrund (3)
There’s no need to rehash old territory. We’ve had this argument before. I think Sayyadina represent the best of post-Nasum Swedish grind. Many of you offered up Afgrund instead. Now it’s time to make your case in the comments. May the better band win.
Continental Europe and the United Kingdom
Blood I Bleed (2) v. Nashgul (5)
Two of Europe’s most promising bands offer a fairly stark contrast. Holland’s Blood I Bleed embody the finest aspects of modern grind songwriting. Everything’s spiky and frenetic, strangled by deliberately placed static. Spain’s Nashgul, on the other hand, think grind peaked with Horrified and are content to keep it traditional. So do you prefer Coke Classic or New Coke. Wait, bad analogy.
Labels:
324,
afgrund,
blood i bleed,
bracketology,
gridlink,
grindcore,
khann,
kill the client,
magnicide,
nashgul,
sayyadina
Thursday, October 28, 2010
Grindcore Bracketology: The 2-7 Matchups
We're off to a perspicacious (and occasionally surprising) start with grindcore bracketology. The 1-8 matchups will stay open for argument until Saturday just in case you've been straggling to voice your opinion. Meanwhile, it's on to the 2-7 faceoffs. You've got until Tuesday. Discuss amongst yourself.
Full bracket available here.
North America
GridLink (2) vs. Noisear (7)
It’s hot Fajardo on Fajardo action. First up is the post-Discordance Axis/Mortalized mash up, GridLink. Jon Chang is an elite lyricist with a striking vision being backed up by another superlative cast of musical collaborators as he spits and screams his way through fractured narratives that wrench philosophical musings from anime and manga, refracting a blend of neon jazz and caffeinated energy.
Discordance Axis aficionados Noisear have been toiling in the masters’ footsteps but have recently taken steps toward their own distinctive sound, a complex hornet’s nest of buzzing guitars, Witte-worthy drumming and boundless enthusiasm. Listening to Noisear is like plowing face first through a plate glass window. The question before you is if the new jacks have hijacked the masters’ noise.
Asia and Australia
324 (2) vs. Swarrrm (7)
Japanese rebel grinders 324 have pretty much owned the crust grind crown for more than a decade now even if they’ve been dormant since 2006. Sharing a three way split with Discordance Axis – and easily holding their own – 324 are masters of a hook laden riff. But the band also knows how to stretch its musical muscles on occasion. The Across the Black Wings EP featured moments that simply rocked the psychedelic fuck out. And then they immediately went back to derm-abrading your ass with their grinding goodness.
Packing a few inexplicably extraneous consonants in their name, Swarrrm also pack a few outré musical notions as well. Not content to simply be a humble grind band, Swarrrm stuff their repertoire with five minute songs that feature more switchbacks and doublecrosses than a carefully plotted heist film. I don’t know what they’ve been packing in their black bong, but it’s a potent brew.
Scandinavia
Sayyadina (2) vs. Splitter (7)
Quite simply, Sayyadina just do everything well in that inimitably poised Swedish fashion. Songs always hang from a blade sharp musical meathook and the introspective, emotional lyrics set them apart from lesser bands that are content to rehash familiar themes. Mourning the Unknown is an unfuckwithable slab of punk toned blast beaten goodness that epitomizes everything modern grind should embody.
While Splitter can bring the brutality with the best of them, what truly sets them apart are their melodic sensibilities. Combining early At the Gates (pre-Slaughter of the Soul) with demo-era Nasum, Splitter solder together two disparate strains of extreme Swedish musical outgrowth into a seamless whole. It shouldn’t work as well as it does, but the band manages to interweave the competing impulses perfectly.
Continental Europe and the United Kingdom
Blood I Bleed (2) vs. Cyness (7)
Dutch dervishes Blood I Bleed have a pedigree for perfection dating back to their prior incarnation as My Minds Mind. Shantia is top five among songwriters working right now and Blood I Bleed set off a staggering stream of audio pipebombs that grenade grind and punk without remorse. This is sonic adrenaline set to wax.
Germans Cyness have steeped themselves in grindcore history with a post graduate symposium in From Enslavement to Obliteration for good measure. They take that history and drag it into the 21st Century but otherwise keep the tradition intact. This is another band that’s been inactive for too long, but their two albums are enough to secure their spot in the discussion.
Full bracket available here.
North America
GridLink (2) vs. Noisear (7)
It’s hot Fajardo on Fajardo action. First up is the post-Discordance Axis/Mortalized mash up, GridLink. Jon Chang is an elite lyricist with a striking vision being backed up by another superlative cast of musical collaborators as he spits and screams his way through fractured narratives that wrench philosophical musings from anime and manga, refracting a blend of neon jazz and caffeinated energy.
Discordance Axis aficionados Noisear have been toiling in the masters’ footsteps but have recently taken steps toward their own distinctive sound, a complex hornet’s nest of buzzing guitars, Witte-worthy drumming and boundless enthusiasm. Listening to Noisear is like plowing face first through a plate glass window. The question before you is if the new jacks have hijacked the masters’ noise.
Asia and Australia
324 (2) vs. Swarrrm (7)
Japanese rebel grinders 324 have pretty much owned the crust grind crown for more than a decade now even if they’ve been dormant since 2006. Sharing a three way split with Discordance Axis – and easily holding their own – 324 are masters of a hook laden riff. But the band also knows how to stretch its musical muscles on occasion. The Across the Black Wings EP featured moments that simply rocked the psychedelic fuck out. And then they immediately went back to derm-abrading your ass with their grinding goodness.
Packing a few inexplicably extraneous consonants in their name, Swarrrm also pack a few outré musical notions as well. Not content to simply be a humble grind band, Swarrrm stuff their repertoire with five minute songs that feature more switchbacks and doublecrosses than a carefully plotted heist film. I don’t know what they’ve been packing in their black bong, but it’s a potent brew.
Scandinavia
Sayyadina (2) vs. Splitter (7)
Quite simply, Sayyadina just do everything well in that inimitably poised Swedish fashion. Songs always hang from a blade sharp musical meathook and the introspective, emotional lyrics set them apart from lesser bands that are content to rehash familiar themes. Mourning the Unknown is an unfuckwithable slab of punk toned blast beaten goodness that epitomizes everything modern grind should embody.
While Splitter can bring the brutality with the best of them, what truly sets them apart are their melodic sensibilities. Combining early At the Gates (pre-Slaughter of the Soul) with demo-era Nasum, Splitter solder together two disparate strains of extreme Swedish musical outgrowth into a seamless whole. It shouldn’t work as well as it does, but the band manages to interweave the competing impulses perfectly.
Continental Europe and the United Kingdom
Blood I Bleed (2) vs. Cyness (7)
Dutch dervishes Blood I Bleed have a pedigree for perfection dating back to their prior incarnation as My Minds Mind. Shantia is top five among songwriters working right now and Blood I Bleed set off a staggering stream of audio pipebombs that grenade grind and punk without remorse. This is sonic adrenaline set to wax.
Germans Cyness have steeped themselves in grindcore history with a post graduate symposium in From Enslavement to Obliteration for good measure. They take that history and drag it into the 21st Century but otherwise keep the tradition intact. This is another band that’s been inactive for too long, but their two albums are enough to secure their spot in the discussion.
Labels:
324,
blood i bleed,
bracketology,
cyness,
gridlink,
grindcore,
noisear,
sayyadina,
splitter,
swarrrm
Tuesday, August 25, 2009
My Name is Legion, For We are Many
As if defining grindcore weren’t a confounding enough task, there’s a subset of practitioners such as Spoonful of Vicodin that seem determined to set themselves apart from their peers and colleagues by inventing a micro-genre they can solely inhabit. Is being a humble grind band that bad? Join me on a trip through grind’s far-flung and constantly evolving nomenclature.
Grindcore
Napalm Death
Scum
Earache
1987

Napalm Death
Scum
Earache
1987
Labels:
324,
agathocles,
f.a.m.,
grindcore,
kataklysm,
napalm death,
spoonful of vicodin
Subscribe to:
Posts (Atom)