Showing posts with label end of all. Show all posts
Showing posts with label end of all. Show all posts

Wednesday, April 4, 2012

Absolut Country of Sweden



Imagine my surprise when I learned the de facto Swedish national anthem, " Du Gamla, Du Fria," does not actually feature d-beats (though I'm sure as we speak Tomas Lindberg is pulling together a roster of Swedish punk greats to rectify that oversight).
Because in my mind, even beyond the greatness of Scandi-grind, Sweden first and foremost has always stood out to me as a joyous celebration of Discharge's swinging punk legacy just with way more umlauts. It's a story that begins with seminal punk bands like Anti Cimex and continues through .... a whole lot of other bands that also contain ex-members of Anti Cimex and whatever band Tompa hustled into a studio during his free weekend.
Where Discharge were pissed and spitting, the Swedes (while still dealing a decent amount of aggression) also seemed to have realized that a hopping d-beat can actually be fun. They're screaming, sure, but you can just feel the corners of their mouths quirking, fighting to hide back an idiot grin.
Or maybe that's because Swedish punk bands, like a lot of their Scandinavian kin, tend to stick to their native language, so I have no clue what they're saying. As Totalitar said in the liner notes to Ni Mast Bort!, "... I would feel rather stupid if I wrote about these subjects using someone else's language. This has nothing to do with nationalism, to me it's just a simple fact that I react, think and have much more complex knowledge of the language I grew up with." But language has never been a barrier with Swedish punk, the intent comes through in the musical chops and the vocal passion just fine without resorting to Babel Fish.
Since I've been binging on Swedish punk lately, I thought I'd share a few of my favorites. I'm by no means an expert here and compiling this list made me realize my collection is short a few goodies (Krigshot! Svart Sno!), but I haven't made you guys a mixtape in a while and felt the need to share.

Swedish Punk [Mediafire]

Disfear - "Powerload"
Skitsystem - "Det Sociala Arvet"
Avskum - "Masskonsumtions Helvetet"
Victims - "This is the End"
Wolfpack (aka Wolfbrigade) - "Power and Greed"
The Great Deceiver - "Strychnine"
Anti Cimex - "Victims of a Bombraid"
End of All - "Fostrad"
Acursed - "Tunneln I Ljusets Slut Track 13 [Untitled]"
Totalitar - "Mediet Som Vapen"

Friday, December 5, 2008

G&P review: End of All (How Swede It Is Part 6)

End of All
The Art of Decadence
Crimes Against Humanity
What better way to cap the end of all this sverige goodness the past two weeks than with End of All.
In a flash of (probably) unintended genius, End of All brilliantly summarized this whole Swedish d-beat shtick with the title of previous album Same Shit But Different.
Now, I loves me some Swedish punk as much as the next guy, but if you randomly grabbed a disc from my Scandinavian shelf of CDs and forced me to name the band at gunpoint, there’s about a 50/50 chance I’d end up with my gray matter decorating the wall. Not to be pejorative, but at its base, every band is just serving up the same shit but different and End of All, who turn out another enjoyable but workmanlike half hour of dun datting are no exception.
Astute heraldry geeks will likely guess these Swedish d-beaters’ lineage once they realize the griffons rampant gracing The Art of Decadence’s cover are the inverse of the wolves rampant Wolfpack employed for Allday Hell.
Featuring former members of the Wolfpack/Wolfbrigade collective, End of All play the same style but just lack that special something that help set them apart. The songs are solidly written and well played, the production is passable (though a tad flatter than Same Shit), which make End of All an enjoyable listen but nothing that deviates from the (wolf)pack of clamoring d-beat hordes.
The Art of Decadence lacks the oomph and searing, vaguely Gothenberg-ish guitar leads (think Live the Storm) that helped propel Same Shit and on the whole sounds more muted and uniform in both production and composition, making it an album that fades from memory moments after it ends. I’m hoping this is just a temporary setback for a band that has easily held its own against scene leaders like Skitsystem and Disfear in the past.