Grindcore Bracketology: The 2-7 Winners/The 4-5 Matchups

I know I’ve done my job properly when I see you sobbing in the comments. The matches are getting more even and the choices are only getting harder from here on out. No upsets yet, so here’s your 2-7 champions. I didn’t pick em so don’t blame me.

North America
Despite some spirited defense of Noisear, GridLink’s 12 minutes of grind perfection (don’t forget the track from Our Last Day, folks) ruled the day by a vote of 11-3.

Asia and Australia
Absence (absinthe?) makes the heart grow fonder and despite not gracing our turn tables with new noise in four years, crust busters 324 narrowly out blasted left field loonies Swarrrm 9-6.

Scandinavia
What Splitter will be mourning will not be unknown because everyone should have seen Sayyadina’s victory coming. They outlasted their countrymen by a vote of 13-3 with the most robust defense of the round.

Continental Europe and the United Kingdom
Bleed for me, bitches. Holland’s Blood I Bleed talked shit and spit blood all over Cyness by 8-3. While I agree with Shantera that Massgrav won the split with the Dutch band, anyone who’s basked in the glory of Gods Out of Monsters knows what I’ve been raving about.

As always, the full updated brackets can be perused here. Meanwhile, your toughest task yet is before you with the 4-5 faceoffs. You've got until Tuesday. Now if you'll excuse me, the Blues-Sharks game is on.

North America
Brutal Truth (4) vs. Total Fucking Destruction (5)
Brutal Truth shook off the munchies long enough to drop a trio of the most essential grind albums of the ’90s. But that’s ancient history. After a decade hiatus, it’s time to ask the New Yorkers what they’ve done for you lately. Reupped and rearmed with ex-Lethargy/Sulaco guitarist Erik Burke in tow, Brutal Truth gave us a handful of songs on the first This Comp Kills Fascists and Evolution Through Revolution, a 21st Century blend of Need to Control ferocity and Sounds of the Animal Kingdom experimentalism. However, does the new batch stand up to the glory days or are they just milking the nostalgia circuit?
Rich Hoak certainly didn’t sit idle after Brutal Truth went the way of the dodo. Left with a load of free time, a love of jazz and a yoga driven rejuvenation, Total Fucking Destruction has been pushing grind into ever weirder corners with each release. Blast jazz, acoustic grind and stand up poetry screeds all get hotboxed by his coterie of likeminded cohorts. The only rule: nothing is off limits.

Asia and Australia
Agents of Abhorrence (4) vs. The Kill (5)
Any band that comes with Zmaj’s imprimatur is one to take seriously; the Blogfather knows his shit. Agents of Abhorrence earned the Cephalochromoscope seal of approval for their brew of Discordance Axis acceleration and strains of power violence with Iron Lung and Neanderthal getting namechecked. Taken together, their influences brew up an exemplary example of modern grind’s potential.
Featuring members of Super Happy Fun Slide and Fuck…I’m Dead, you wouldn’t expect The Kill to suddenly start spouting tea time niceties. Instead they set the intentionally stupid to the deliberately thrashy. It’s the point/counterpoint of lethal precision musically and the frat boy humor sentiments of “Tracksuit Pants are Thrash,” the abortion-riffic “Dead Babies” and unambiguous sentiments of “Fuck Emo” that set them apart. Agents of Abhorrence list the Kill as an influence. Who does it better?

Scandinavia
Gadget (4) vs. Crowpath (5)
Go, go Gadget grindcore. Gadget ringleader William Blackmon’s sci-fi steeped grind has only gotten more focused over two full lengths even as he’s broadened his vistas with expertly deployed downbeat interludes. Sleek, composed and poised, Gadget distill Ridley Scott’s interpretation of a Phillip K. Dick dystopia into its audio essence, alternately embracing its potential and pitfalls in ways that are consistently thought provoking and electrifying.
Crowpath’s dystopias strike closer to our temporal home – their last album was a Swedish serial killer concept that crawled out of a miasma of grindcore and power violent sludge. Maruta may have taken the sound in grungier directions, but Crowpath’s music is marked by a sociopathic sense of control that's eerie. They’re the frightening musical secrets lurking behind Jeffrey Dahmer’s everyday guy normalcy.

Continental Europe and the United Kingdom
Looking for an Answer (4) vs. Nashgul (5)
The pain from Spain will sear into your brain. It’s just a question of who does it better.
Denak descendants Looking for an Answer brew up a savage beating that harks back to grindcore greats all in the name of animal rights and crushing noise. Their raucous rage consists of to the point songs strung together into an interlocking chain of blast driven noise. The master craftsmen have increasingly refined their sound paradoxically by shedding the modern sheen, connecting with something more primal and atavistic with time.
Nashgul have blinkered themselves to the last 20 years of grind evolution. Instead they blew the dust off their copy of Horrified and took that as their template, banging out tunes derived low budget movies and zombie lore. Their musical inspirations are drawn from the same era as the films they pillage for inspiration – Mad Max, Toxic Avenger and the finer slices of the Fulci cannon all get musical nods. For all the talk of rotting corpses, unsightly horrors and other monstrosities, Nashgul keep everything appropriately light hearted and limber.